The AHS Blog
This post was written by Jonathan Betts
Almost exactly ten years ago I had John Harrison’s magnificent first marine timekeeper H1 in my workshop at the Royal Observatory. It was being dismantled for study, cataloguing and conservation for the new chronometer catalogue.
I had a film crew with me making a documentary, and they were becoming exasperated at constant interruptions to the filming. Finally another telephone call – a man was outside, asking if he could see me. Embarrassed, I assured the film team I would politely ask him to come back another time, but explained they had to come with me as I couldn’t leave them alone with H1.
Outside, the man apologised for arriving without warning and that he could come back if necessary. He introduced himself, offering his hand and just saying softly “Neil Armstrong”.
One of the film crew laughed and remarked 'Ha! I bet with a name like that you get lots of requests for autographs!' to which the unassuming gent simply replied: 'I’m afraid I don’t do autographs'.
It was at that point that we collectively realised that we were indeed in the presence of history. Suffice to say, all anxieties about filming schedules melted away and we all returned to the workshop (but with film cameras firmly switched off!)
Armstrong had long been a Harrison fan and he and his golfing friend Jim, hearing on the grapevine about the H1 research, had taken a detour from a sporting trip to Scotland, to make a pilgrimage to Greenwich.
For a wonderful hour or so we discussed Harrison and his first pioneering longitude timekeeper and it was clear Armstrong’s reputation was correct – reserved, yet of great intelligence and hugely well-informed; in short, a thoroughly nice man and not at all the showman one imagines when thinking of lunar astronauts.
I always asked visitors to sign my Visitors Book, but understood when Armstrong explained 'if you don’t mind, I’ll do it in capitals'.
Hearing that Harrison’s second prototype timekeeper, H2, would be next for research in the coming year, Armstrong returned and I spent a little more time with him, getting to know him a little better and was privileged to learn more of the Apollo 11 mission, from the horse’s mouth, as it were.
As he and Jim left on that occasion I asked Jim to sign my book again, and as they got back into their car, Jim whispered to me 'I think you’ll find Neil signed properly this time too'.
And indeed he had, something I shall always treasure.
This post was written by Rory McEvoy
Last month saw the bicentenary of the Battle of Waterloo and the end of the Napoleonic era. To mark the anniversary, this week’s blog posting looks at two curious watch dials. The unusual point being that they both appear to come from the same manufacturer, but were made to celebrate victories on both sides of the conflict. One of which never happened.
The first of the two watch dials was made around 1798 when the prospect of a French invasion of England was real and, for many, a terrifying prospect.
Rumours abounded of the French rafts that would carry tens of thousands of troops and weapons to English shores. The images of these vessels distributed by the printmakers ranged from the allegedly factual to the overtly ridiculous.
The French perspective was bullish about the prospect of invasion. Not only were they confident of success, but they also believed that the English would, for the most part, welcome the invasion.
Gillray’s print (above) records that there were indeed those who may have welcomed the French. Whig collaborators are shown on the right-hand-side of the picture trying to winch the French transporter ashore and their efforts are being foiled by Prime Minister, William Pitt the Younger, seen as the wind blowing the flotilla to destruction.
The dial depicts the ‘descente en Angleterre’ with a more traditional fleet of ships sailing towards the heavily defended English shoreline and serves as a useful glimpse into the mind of the manufacturer, keen to capitalize on the bullish French mood of early 1798.
The scene on the second dial is identifiable as the Battle of the Nile because of the burning ship on the left-hand-side of the image. This represents the French Flagship, L’Orient, which exploded with such violence that fighting was temporarily halted and it became a symbolic feature in popular representations of the Battle.
There is a near-identical row of box-shaped buildings placed along the horizon on both dials. This suggests that they both came from the same source. Such buildings seem more appropriate for the northern coast of Africa than the southern shores of Britain and so it was probably a generic depiction preferred by the artist.
As an asides, the invasion watch dial has a later counterpart in the Museum’s medal collection. A rare sample medal was struck in 1804 with dies intended to be used in London by the victorious French conquerors. Despite amassing a substantial force in the Boulogne area, the embarkation was prevented, principally by the diversion of troops and resources to the Battle of Ulm and, secondarily, by the English blockades.
This post was written by Peter de Clercq
In his most recent blog, Oliver Cooke discussed watches and clocks without hands as indicators.
Another example is the Mouse Clock, in which a mouse making its way up against a wooden board serves as time indicator. Its designer was inspired by the well-known nursery rhyme:
Hickere, Dickere Dock
A Mouse ran up the Clock,
The Clock Struck One,
The Mouse fell down,
And Hickere Dickere Dock.
The rhyme comes in various versions; this is the oldest, published in 1744 in Tommy Thumb’s_Pretty_Song_Book.
Could it be based on a real event: a mouse hiding inside a longcase clock, panicking when it struck?
In the literature I find only other explanations. One authority suggests it may be an onomatoplasm – an attempt to capture, in words, a sound; in this case, the sound of a ticking clock. Another relates it to the shepherds of Westmorland who once used ‘Hevera’ for ‘eight’, ‘Devera’ for ‘nine’ and ‘Dick’ for ‘ten’ when counting their flock.
Be that as it may, just over a century ago it inspired an American businessman, who was also an avid clock collector, named Elmer Ellsworth Dungan, to develop the Mouse Clock.
He initially just created one for his daughter, who loved the nursery rhyme, but then decided to take them into production. He took out patents and various models were manufactured.
They are nowadays prized by novelty clock collectors, so much so that we are warned to beware of reproductions, especially for what one dealer calls ‘Chinese knockoffs’.
Details, including several images of the mechanism, and a link to an animated photo of the clock in operation, can be found on these American websites: Antique Clock Guy and Fontaine’s Auction Gallery.
In 1966 the NAWCC published a booklet by Charles Terwilliger, Elmer Ellsworth Dungan and the Dickory, Dickory Dock Clock; there is a copy in the AHS Library at the Guildhall.
And speaking of mice and clocks, how about having some fun with the (grand)children with this on-line clock reading game. Read the time correctly and the mouse runs up safely to the cheese in the clock. Read it wrong and the cat gets the mouse.
This post was written by David Rooney
In the latest in what seems to have become a short series on easy-access digital resources, I bring news that British Pathé has released its entire historical newsreel archive of 85,000 films onto YouTube, the video-sharing website.
British Pathé has long allowed people to see its historical newsreel films on its own website, and the release to YouTube doesn’t bring any change to the company’s copyright policy. But the findability of these often remarkable films will now have greatly increased, which can only be a good thing.
I have used British Pathé films in my historical research and my professional work curating museum exhibitions for years now, and it is therefore like meeting old friends to watch films on the YouTube channel such as The Golden Voice, Time Please and Standard Time.
For those with wider interests, I’ve also been moved seeing Comet Inquiry again, which appeared in the Science Museum’s recent award-winning Alan Turing exhibition. One of the AHS’s founder members, Alfred Basil Brooks, together with his wife, were killed in this tragic air crash which occurred just months after the founding of the society.
I think this film archive is strong in two ways beyond its sheer breadth.
Firstly, it helps to put technological objects and ideas into social and political context, which is crucial in understanding why people make, modify, use and choose things. Objects never emerge fully-formed in a contextual vacuum.
The second strength of the films is the technical understanding they can offer those studying particular technologies. There’s nothing like the moving image to bring dynamic objects to life.
So there we are. Another great digital archive of work made even easier to use. And along those lines, AHS members should watch out for an important announcement in the next few weeks. We’ve been working on something pretty special and we’re about to be able to share it with you…
You can find the British Pathé channel at https://www.youtube.com/user/britishpathe. Search by clicking the little magnifying glass symbol in the middle of the page underneath the header image.