The AHS Blog
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This post was written by David Rooney
On 23 October, the Clockmakers’ Museum opened at the Science Museum. The new gallery is a treasure-trove of horological history, home to so many wonderful items it’s hard to know where to look next.
Tucked away in one showcase is a modest-looking pocket watch that would be easy to miss, yet tells a story close to my heart—that of Ruth Belville, whose biography I wrote in 2008.
The watch was originally the property of John Belville, an astronomer at the Royal Observatory Greenwich, who used it between 1836 and his death twenty years later to carry accurate Greenwich Time round a network of subscribers across London.
When John died in 1856, the watch was passed to Maria, his wife, who continued carrying it round London until 1892, when she retired.
She then passed it to her daughter, Ruth, who named it ‘Arnold’ after its maker, John Arnold. Ruth carried the time to town with Arnold until 1940, when she retired, aged 86.
But it was not the end of the line for Arnold. Ruth had always wanted it to have a good home.
‘When it retires from business … I think the dear old thing ought to be put in the British Museum’, she told the Evening News in 1908. In 1921, Ruth changed her mind, stating that she ‘should wish the Royal Observatory to have the first offer of purchasing my chronometer’.
Yet neither received Arnold.
In 1941, the Worshipful Company of Clockmakers granted Ruth a pension which gave her crucial financial security in her retirement.
Ruth repaid its generosity in January 1943, when she wrote to the Company offering her watch for its museum when the time came. The Company accepted, noting that ‘by doing so her name would be perpetuated for all time’.
Eight months later, Ruth died with Arnold by her bedside. The watch was duly transferred to the Company’s collection and ended up on display at Guildhall.
Now I needn’t go to Guildhall to see Arnold—delightful though my visits there always were—but instead I can pop into the magnificent new gallery at the Science Museum during my lunch break.
I hope you’ll have a chance to see it too.
This post was written by Mat Craddock
On Thursday 29th October, the AHS’s first new Group in over forty years held its inaugural event.
The Wristwatch Group, whose aim is to further research into, and to increase the understanding of, wristwatches, has been working with one of the oldest and prestigious names in watches, Montres Breguet SA, to host the event.
Breguet’s newly-opened three storey boutique on Old Bond Street was the perfect venue, with vintage pieces on display alongside current models, many clearly showing a direct lineage from Abraham Louis’ extraordinary and often revolutionary designs.
One of Breguet’s in-house watchmakers guided guests through the often bewildering complications and materials on these modern watches, which are now just as likely to be using titanium and silicon, as brass or gold, such as the Breguet Tradition 7077.
This fascinating new piece is a bifurcated model with two movements working independently at different frequencies: a relatively traditional time-only mechanism (3Hz); and a 20-minute chronograph operating at 5Hz.
The evening was introduced by Jonathan Betts MBE on behalf of the Chairman of the Council, and was followed by two talks by two of this country’s most knowledgeable Breguet experts, Andrew Crisford and Stuart Kerr.
Jonathan’s introduction also paid respect to AHS President Lisa Jardine, a firm supporter of the Group, who had sadly passed away a few days before.
Andrew drew parallels between modern wristwatch marketing practices, such as product placement, the use of brand ambassadors and accessorising, and the pioneering efforts by Abraham Louis.
It seems that even in the early 19th century, Breguet was ahead of the game. Stuart began his talk by describing the circumstances that lead to the Longitude Act, via the alleged murder of Sir Cloudesley Shovell on the sands of Porthellick Cove. Shovell’s pocket watch, an English verge had recently been brought into the boutique and was, along with some of Andrew’s Breguet-related paraphernalia, available for guests to view.