The AHS Blog
This post was written by Andrew Miller
Recently I re-discovered (in a drawer) a piece of work that for me is ancient (30 years) but for the type of work is quite new (less than 500 years). It might be of passing interest to members.
It is solid state and largely untroubled by mechanical disturbances. Its accuracy should not deteriorate significantly over the next few hundred years.
It is a 1988 reworking to a smaller scale of an Arsenius astrolabe. Arsenius worked in Holland in the 16th century and is one of the great astrolabe makers. The original would have been a brass instrument some 11" diameter; this is 110mm and made of silver, ebony and copper.
The era has been updated to the current era, whereas many astrolabes are calibrated for an era some 2000 years ago when the fixed stars and constellations were first placed around the ecliptic. This is handy for using the instrument today although astrologers prefer the ancient calibration because the stars are in the 'right' place relative to Sun and planets.
The device was the must-have techno-gadget for cool dudes in the late 1500s. It will show current time and date if you have celestial sightings and the positions of the fixed stars and Sun if you have a time and date.
It will calculate not only the equal and unequal hours (the latter used in medieval times before reliable clocks were widely available) but also the height of tall buildings.
The face of the instrument has the standard rete (web) and rule through which the latitude plate can be observed. Four latitude plates are included inside the instrument and are engraved for five northern latitudes. The reverse has the calendar and zodiac on a 360 degree scale which can be used with the alidade for sighting the altitude of the Sun and fixed stars as well as predicting their altitudes.
Made in 1988 after I had spent some months at sea on the sailing yacht 'Ivanhoe' and had ample time to star-gaze under unpolluted skies. So I call it the Ivanhoe Astrolabe.
This post was written by Robert Lamb
Since October 2015, the Worshipful Company of Clockmakers’ collection of clocks, watches and associated objects has been displayed in its new home at the Science Museum, where it is accessible to the public whenever the Museum is open.
I have been conducting 60-minute tours of this wonderful historic collection on a monthly basis since July 2019. Despite needing to pause during the pandemic when the museum was closed, myself and the other volunteer guides have been back up-and-running since October 2021 and we hope that the frequency of the tours will increase as more volunteers join the team.
So, what happens on my tours?
Firstly, I introduce myself to the group and enquire if anyone has any specific interests. Participants are a pretty eclectic mix of those who, by chance, saw the notice at reception, those who came especially to see the collection, inquisitive tourists, and passers-by who show an interest and I cajole to join!
I then explain that we will not cover the whole collection, but will be honing-in on specific objects and groupings or significant topics and people.
I always like to give a short introduction to cover the origins of the collections, history of clockmaking and development of London’s Livery Companies.
Having gauged the mood and interest of the group (not forgetting that children may need entertaining too!), we often start with the introduction of domestic clocks in Europe and London, followed by the later need for more accurate timekeeping. Often, we look at the introduction of the pendulum and I talk about the development of clocks in London with the knowledge brought back by John Fromanteel. We are regularly drawn to John Harrison and his fight for recognition to win the Longitude Prize and then become fixated by H5!
There are so many tales to tell of the many objects we encounter. I love the one of an early Master of the Company, whose role was to keep the Company chest (which contained the silver and significant documents) at home during his tenure, but couldn’t get it through his front door!
No two tours are ever the same, which gives me great pleasure and I hope it does this for the participants.
Joining a tour is the only way to see what actually happens – visit the fabulous collection yourself and soak up the wonders of such a diverse horological history!